Showing posts with label technology. Show all posts
Showing posts with label technology. Show all posts

Friday, January 14, 2011

The Social Network: Grade B

B
The Social Network (2010)
Jesse Eisenberg, Andrew Garfield, Justin Timberlake; Director David Fincher.

Eisenberg is Mark Zuckerman, founder of Facebook, and this is his story. In his Harvard dorm room he builds a web site showing pictures and bios of Harvard women, ostensibly for guys to rate their “hotness.” It evolves into the Facebook we know today.

Sound boring? It does, but it isn’t, because of the excellent writing (Aaron Sorkin) and acting. The drama alternates between a present-day legal hearing, in which several of Zuckerman’s classmates are suing him for stealing their idea for Facebook, and the historical unfolding, from Zuckerman’s point of view, of what actually happened. The movie is ambiguous about blame, but generally favors Zuckerman.

As the story unfolds, we see immature college antics, obsessions with sex, alcohol, getting into good social clubs, and pretentious displays of intellectual cleverness. Among these stereotypes, no one takes school seriously. The dialog is witty-smart-ass-intellectual, salted with plenty of authentic technical mumbo jumbo. Everyone speaks in zingers, so characters never say anything serious or sincere (Garfield’s character, Zuckerman’s roommate, is an exception).

There is no attempt to understand the meaning of Facebook or the motivation of people who use it, or how it has affected modern communication. The movie is essentially a bio-pic of one monumentally egocentric jerk (Zuckerman) who happened to get monumentally lucky, but there is no insight into who he is. What makes the film work is our knowledge and awe of the Facebook phenom and our fascination with it. If the movie were about the development of an industrial pump company, it would be a flop. We bring our own interest so the movie doesn’t have to generate any.

Monday, October 19, 2009

The Future of Food (2004): Grade C

C
The Future of Food (2004)
Writer-Director Deborah Koons.

This obviously heartfelt documentary shows how large agricultural companies like Monsanto are force-feeding unlabelled, genetically modified food down our throats. They create special seeds through genetic engineering, patent them, then sue the socks off of any farmer who has any crops with their genetic signature, no matter if those seeds came onto the farm in the wind or by bird droppings. The agribusinesses own the farmer’s crops and it is against the law for the farmers to re-plant their own seeds once their fields are contaminated with GMO seeds. The film also documents government collusion in this takeover of American farming by giant seed and chemical companies, by stacking executive agencies like the EPA and the judiciary with “business-friendly” leaders. This sad story is well-told, but it is not a new story. Shows like this have been on TV for a long time (PBS at least). There is little or no new information here. The film is well-photographed, with good production values, but like a PBS-NOVA presentation, which it emulates, the material quickly becomes repetitive and boring. A feeble call to action is presented at the end: eat organic and buy local. Would that help? Maybe if you are rich. Organic produce usually costs at least double and often is of inferior quality. Maybe it is worth it though, to prevent Monsanto from taking over the world. But this documentary never does gen up a really rallying cry. It is strictly an “ain’t it awful?” presentation. Yeah, it’s awful, tragically awful, but Americans don’t seem to care. Maybe more call to action would have leavened the heavy fact-based presentation to better effect.