Let the Right One In: Grade B

B
Let the Right One In (2008)
Kåre Hedebrant, Lina Leandersson; Director Tomas Alfredson. (Swedish, Dubbed)

Oskar is a 12 year old, bullied terribly at school. He meets Eli, a 12 year old girl who moves into his apartment building. They strike up a friendship, but soon it becomes apparent that she is a vampire. Oskar is horrified but being so alone, he likes her anyway. She likes him well enough to avoid biting him, and she encourages him to strike back at the boys who bully him. These two themes are explored separately, the bullying and the vampire life, in a charming relationship story that seems quite ordinary except for the awkward detail that Eli must kill someone every day. This counts as a horror film for sure -- plenty of blood -- but the story is so gentle in its own way that it takes you by surprise. The final scene was obviously an afterthought designed to avoid ending on a completely down note, but it is not satisfactory. Too bad, because 20 minutes could easily have been pulled out of the rest to allow for a properly developed ending. Another complaint is that the voice actors were terrible. Animations can get good voice actors, why are they not available for dubbing? Maybe it was a cost constraint. Fortunately, this is a quiet film with not much dialog, so the bad dubbing is tolerable. I would much rather have enjoyed the Swedish language and read subtitles. Despite some obvious logical loopholes in the story, this is a well-made and surprisingly enjoyable movie.

Vampire Diary: Grade C

C
Vampire Diary (2007)
Anna Walton, Morvin Macbeth; Directors Mark James & Phil O’Shea.

I have questions about vampires and this movie did nothing to clear them up. Aren’t vampires immortal? So what is their fear of being captured or shot by the police? And how nutritious is an exclusive blood diet, anyway? Don’t vampires need the basic 20 amino acids? This movie introduces a whole new set of questions about vampire reproduction as well.

Vicki is a relatively good-looking young woman, in a dark, Addams Family sort of way. She crashes vampire parties held by Gothic teens who wear false fangs and use loads of eye and mouth makeup. Vicki falls in love with Holly, the host of a vampire party, and eventually confesses that she is a real vampire, that she is pregnant, and that she is hungry. Holly shows about sixty seconds of skepticism then vows to help her lover get what she needs. They start hunting derelict drunks, but Vicki complains about the low quality blood, so they have to move upscale. Details are sketchy, but some members of the party crowd turn up dead. The city-wide hunt is on for the “Vampire Killer.”

But the movie is really about the relationship between the two women and the lengths to which Holly will go to protect and sustain her friend. Most disturbing is how the film justifies and ennobles self-mutilation, which is actually a severe psychopathology. Holly cuts herself with a razor blade to feed her lover. Camera work is dark, grainy, shaky hand-held video, and reflects the fact that many young people have video cameras going all the time, objectifying their lives instead of living them, another disturbing trend. Editing is primitive, directing is clunky. I could not evaluate the music, which is from a youth culture I don’t know. But the acting was actually pretty good. As she hands her new baby to Holly before the police get there, Vicki says that she is not really a vampire, just a psychopathic serial killer. There are no vampires, she says. That would have been a good ambiguity to play throughout the story instead of throwing it in at the last minute. Despite the mediocre writing and very low production values, the result is mildly interesting, not too bad.